Look, we’re aware that nobody actually watches these, so why not have a little fun with them? In this episode of our apparently years-spanning playthrough of EarthBound for the Super NES, we liberate Saturn Valley and Threed from the clutches of the evil/disgusting Master Belch. More importantly, though, we spend a lot of time waiting behind a waterfall to be let inside his secret base; and, if you know anything about us, you already know that a lot of down time means a lot of time spent riffing on the KISS memoirs and discussing the infamous rumor about Rod Stewart sucking off a roomful of sailors. So basically, if you watch one Dystopian Video Game Party, this is the one to watch!
If you want to watch more than one DVGP, though, here’s the playlist of our efforts so far:
Oh, hey, remember when we said we would watch the 1987 Jon Mikl Thor sorta-vehicle Zombie Nightmare and discuss it in time for Halloween? Well, here it is, just in time for…Thanksgiving. Yeah, we kinda screwed the pooch on that one, but bear with us, because we also have a lot to share about Zach’s 15 minutes of infamy with Team Breezy, the bizarre public meltdown of actor/model/singer/relationship guru/visual artiste Tyrese Gibson, and the forthcoming debut of Dystopian Dance Party in physical form! Also, we talk about our embarrassing physical and mental health ailments.
If that sounds appealing to you–and why on Earth wouldn’t it?!–remember that you can subscribe to Dystopian Dance Party on iTunes, Stitcher, or Google Play. If you really like us, you can leave us a review and we will read it on the air like we’re NPR or some shit. We’ll back soon; in the meantime, please feel free to follow us on Twitter, Facebook, Tumblr, and Instagram. Show notes here.
It was basically a year ago when my girlfriend and I visited Reykjavík, Iceland, but when have I ever let a little untimeliness get in the way of my #content? Here, at last, is my video about Lucky Records, which I can without exaggeration describe as one of my favorite record stores in the world. Check out the video to watch me and guest Kia Matthews discuss records by Bobby Brown, Klymaxx, Stevie Wonder, Queen, DeBarge, Grandmaster Melle Mel and the Furious Five, and Loudness. Camera by myself and Kia; music by Loudness and Bobby B.
The Dystopian Dance Party podcast is back, and we’re out for blood. This episode, we catch up on what’s been going on during our two-month hiatus and talk about Gene Simmons (naturally), the 20th anniversary of Final Fantasy VII, and the 70th anniversary of Marc Bolan. Please look out for more in the next couple of months–we have a lot of exciting stuff planned for the future!
You can subscribe to Dystopian Dance Party at any of the major streaming services: iTunes, Stitcher, or Google Play. If you like what we do–or hate us and want to inflict us on other people you hate–please leave a review to increase our visibility. You can also listen to podcast episodes on YouTube and Mixcloud. Show notes are available here.
The fact that Sananda Maitreya, the artist formerly known as Terence Trent D’Arby, was not considered for Jheri Curl June until our fourth year is surprising. Of course, his music isn’t Jheri Curl proper–few artists were, by the end of the ’80s–but the influence of Michael Jackson and Prince is particularly obvious.
Introducing the Hardline According to Terence Trent D’Arby is a debut album with a title as cumbersome as you would expect from the man who once claimed that it’s the most important album since Sgt. Pepper’s Lonely Heart’s Club Band. I will neither support nor dispute that claim, but I will say that for a late ’80s R&B album, Hardline has certainly held up–and while we’re making comparisons, I’d much rather fuck with D’Arby’s album in the background rather than “Being for the Benefit of Mr. Kite!” I doubt even the most devoted Beatles stans can argue with that.
Anyway, Hardline also garnered D’Arby’s several hit singles, including “Wishing Well” and “Sign Your Name.” But it was the lesser known track “Let’s Go Forward” in which D’Arby was at his most Jheri Curl. The sad robot-like atmosphere of the song sounds like a more mature version of Jesse Johnson’s “I Want My Girl.”
We’re nearing the end of Jheri Curl June, but there are still a few posts left; meanwhile, check out the playlists below!